The prestigious show in Vienna was, of course , the Burgtheater, and while it had been there in peripheral vision, Nestroy's plays were naturally definitely not compatible using its edifying repertoire connected with stentorian dilemma in sentirse, set at some secular distance, generally antiquity, regarding a pseudocultivated highbrow public. As to what may be displayed, what not really, even in the next centuries, with more modern stirrings throughout the drama, particular tips have been imposed having an unbreakable rigor by the deputies of the Hapsburgs: zero mocking of a monarch, or eyebrow raised at critique; so too with the ecclesiastical, no components or sites of ritual happen to be be found on step: no crypts, altars, funerals, therefore, if they dreamed of doing Hamlet, the gravedigger was out and about; incest, coition, no question, taboo; nor could a gentleman plus woman leave the step together unless complemented simply by a servant. And no equipment and lighting down—as Schnitzler signaled, together with asterisks within the text—while libido designed the round, that illicit dance of Reigen (better known here while Una Ronde). Thus, any situation that seemed to be in jeopardy could only show up in the popular theater, or the puppet theater, with it has the affinities to commedia mime. Plus body , to begin together with, was the centre intended for Nestroy, whose high, skinny figure often socialized like a